Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
You're telling someone about something that happened and suddenly you start to be moved again by the experience . Stanislavski tried to work this out so that it can be used as material by the creative actor .
You're telling someone about something that happened and suddenly you start to be moved again by the experience . Stanislavski tried to work this out so that it can be used as material by the creative actor .
Page 96
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
Page 124
... of that which has happened or may happen in real life , must achieve a kind of truth that is appropriate to the poet's conception and results from integrity of treatment affecting both the details and the fundamental principles .
... of that which has happened or may happen in real life , must achieve a kind of truth that is appropriate to the poet's conception and results from integrity of treatment affecting both the details and the fundamental principles .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |