Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
We know this process occurs often in life. You're telling someone about
something that happened and suddenly you start to be moved again by the
experience. Stanislavski tried to work this out so that it can be used as material by
the creative ...
We know this process occurs often in life. You're telling someone about
something that happened and suddenly you start to be moved again by the
experience. Stanislavski tried to work this out so that it can be used as material by
the creative ...
Page 96
cause it touched something in my own life . I had been in that situation once . I
knew it was going to be a difficult moment for the actress because it just so
happened that there was not much preparation for it in the scene . I said to her , “ I
don ' t ...
cause it touched something in my own life . I had been in that situation once . I
knew it was going to be a difficult moment for the actress because it just so
happened that there was not much preparation for it in the scene . I said to her , “ I
don ' t ...
Page 124
... expression imposing the conditions of musical beauty, and which, though not
bound down to the representation and rational interpretation of that which has
happened or may happen in real life, must achieve a kind of truth that is
appropriate ...
... expression imposing the conditions of musical beauty, and which, though not
bound down to the representation and rational interpretation of that which has
happened or may happen in real life, must achieve a kind of truth that is
appropriate ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole