Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 20
It ' s done for an idea , the idea , possibly , that the court is standing on its head
and everything is upside down . Then , too , her costume is made of stiff material ,
not for any personal reason of appearance or comfort , but for an idea — the idea
...
It ' s done for an idea , the idea , possibly , that the court is standing on its head
and everything is upside down . Then , too , her costume is made of stiff material ,
not for any personal reason of appearance or comfort , but for an idea — the idea
...
Page 31
Now you can convey that idea with more or less feeling , but you must always
convey that idea . That is , in fact , the “ story point , ” as the writer would say . You
can murmur , “ I knew you did it ! ” with little feeling ; or , if at that moment you
have ...
Now you can convey that idea with more or less feeling , but you must always
convey that idea . That is , in fact , the “ story point , ” as the writer would say . You
can murmur , “ I knew you did it ! ” with little feeling ; or , if at that moment you
have ...
Page 142
It is not a good idea to try to feel when you ' re not yet prepared for it . | Also , it is
not a good idea to leap right off the bat at some characterization just because it
seems to you to be indicated . A character may seem to be “ a flighty girl ” and so
...
It is not a good idea to try to feel when you ' re not yet prepared for it . | Also , it is
not a good idea to leap right off the bat at some characterization just because it
seems to you to be indicated . A character may seem to be “ a flighty girl ” and so
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole