Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 34
Sixteen— “ Imagination . ” Stanislavski knew this to be a thoroughly practical piece of technical equipment for the actor . He put it down here big as life as one of the most important ingredients of acting .
Sixteen— “ Imagination . ” Stanislavski knew this to be a thoroughly practical piece of technical equipment for the actor . He put it down here big as life as one of the most important ingredients of acting .
Page 34
Sixteen — “ Imagination . ” Stanislavski knew this to be a thoroughly practical piece of technical equipment for the actor . He put it down here big as life as one of the most important ingredients of acting .
Sixteen — “ Imagination . ” Stanislavski knew this to be a thoroughly practical piece of technical equipment for the actor . He put it down here big as life as one of the most important ingredients of acting .
Page 101
The whole , all - too - prevalent idea of the limiting of emotion to the natural , easy , daily responses of the actor to situations is stultifying to the imagination , which is the most powerful weapon of the artist .
The whole , all - too - prevalent idea of the limiting of emotion to the natural , easy , daily responses of the actor to situations is stultifying to the imagination , which is the most powerful weapon of the artist .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |