Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 43
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good
listening and intelligibility , but you should be able to place your voice where you
want it ...
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good
listening and intelligibility , but you should be able to place your voice where you
want it ...
Page 144
This is terribly important . One says this often and it is awfully hard to get it done
right . There is that sense of rushing , of getting to the next cue ; whereas actually
, in the beginning , it is not important whether you come in right on the nose or not
...
This is terribly important . One says this often and it is awfully hard to get it done
right . There is that sense of rushing , of getting to the next cue ; whereas actually
, in the beginning , it is not important whether you come in right on the nose or not
...
Page 156
S : All these are details which , of course , are very important , but the chief , basic
idea must be the collision of two mutually destructive principles - spirit versus
matter . And our stage problem throughout the play is to find the right tone for the
...
S : All these are details which , of course , are very important , but the chief , basic
idea must be the collision of two mutually destructive principles - spirit versus
matter . And our stage problem throughout the play is to find the right tone for the
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |