Method--or madness?: With an introd. by Harold Clurman |
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Page 27
Being on this side of the chart, this means inner movement. Twenty- five — "
Theatrical personality and scenic sympathy (taking away the bad things that
make bad personalities);" Twenty-six — "Ethical discipline ( props, makeup,
quarrels, etc. ) ...
Being on this side of the chart, this means inner movement. Twenty- five — "
Theatrical personality and scenic sympathy (taking away the bad things that
make bad personalities);" Twenty-six — "Ethical discipline ( props, makeup,
quarrels, etc. ) ...
Page 39
That control of the "inner movement" of your part is, I believe, what is referred to
here. "Theatrical personality and scenic sympathy (taking away the bad things
that make bad personalities ) ." Number Twenty-five. There again, I don't think it ...
That control of the "inner movement" of your part is, I believe, what is referred to
here. "Theatrical personality and scenic sympathy (taking away the bad things
that make bad personalities ) ." Number Twenty-five. There again, I don't think it ...
Page 79
I use the word "problem" here to mean the intention of the scene. As you
improvise, you must observe the inner form of the scene, where one section ends
and another begins. Improvisation does have certain specific values but I ]
believe f79.
I use the word "problem" here to mean the intention of the scene. As you
improvise, you must observe the inner form of the scene, where one section ends
and another begins. Improvisation does have certain specific values but I ]
believe f79.
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |