Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Action ( or Intention ) means what really is happening on the stage , regardless of
what you are saying . It is , in a sense , your reason for being in the scene . We
know that in a play , especially a good play , as in life , one does not always ...
Action ( or Intention ) means what really is happening on the stage , regardless of
what you are saying . It is , in a sense , your reason for being in the scene . We
know that in a play , especially a good play , as in life , one does not always ...
Page 33
Beats ” — Number Fourteen — what that means , quite simply , is the distance
from the beginning to the end of an intention . Your wish “ to let him know you
always suspected him ” ( your intention ) might start with the line , " I knew you did
it ...
Beats ” — Number Fourteen — what that means , quite simply , is the distance
from the beginning to the end of an intention . Your wish “ to let him know you
always suspected him ” ( your intention ) might start with the line , " I knew you did
it ...
Page 146
I don ' t care by what term you call those thoughts , or intentions , but you should
write them down in some definite way . ... on exactly that line , you know you are
mistaken , that it couldn ' t be , not a nice girl like her , and a new intention starts .
I don ' t care by what term you call those thoughts , or intentions , but you should
write them down in some definite way . ... on exactly that line , you know you are
mistaken , that it couldn ' t be , not a nice girl like her , and a new intention starts .
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole