Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 38
That is interesting for variety in playing . For example : I wanted to express my great enthusiasm for Jennie Toureľs song recital the other night to a musical friend . I had enjoyed it so much that I wailed , clapping my hand against ...
That is interesting for variety in playing . For example : I wanted to express my great enthusiasm for Jennie Toureľs song recital the other night to a musical friend . I had enjoyed it so much that I wailed , clapping my hand against ...
Page 44
We may even start to get some plays written in which we can use such interesting movement . Thirty - six . “ Fencing . ” What has that to do with acting ? Well , when I was a kid in the Civic Repertory Theatre we studied it .
We may even start to get some plays written in which we can use such interesting movement . Thirty - six . “ Fencing . ” What has that to do with acting ? Well , when I was a kid in the Civic Repertory Theatre we studied it .
Page 158
What you want from an actor is very interesting , but only a genius could do it . C : Which of your actresses has the greatest sense of humour ? I think Madame Lilina , so it seems to me . I think she might be able to manage this task .
What you want from an actor is very interesting , but only a genius could do it . C : Which of your actresses has the greatest sense of humour ? I think Madame Lilina , so it seems to me . I think she might be able to manage this task .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole