Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 52
... closer or further away from David and Johnny, somebody turning away from
them, but listening — you know, breaking it ... I suddenly asked one character to
lie on the ground, lean forward on one hand, turn up towards Johnny to listen,
and ...
... closer or further away from David and Johnny, somebody turning away from
them, but listening — you know, breaking it ... I suddenly asked one character to
lie on the ground, lean forward on one hand, turn up towards Johnny to listen,
and ...
Page 144
Listening ! This is terribly important . One says this often and it is awfully hard to
get it done right . There is that sense of ... But , when the other fellow is talking to
you it certainly is a good idea to listen with the real desire to find out what the
devil ...
Listening ! This is terribly important . One says this often and it is awfully hard to
get it done right . There is that sense of ... But , when the other fellow is talking to
you it certainly is a good idea to listen with the real desire to find out what the
devil ...
Page 159
S : Yes , but one must be able to make people listen to the words . C : That is my
intention in giving such simple settings , and I should like the movements to be
simple and few in number . S : Why do you think we make so many movements in
...
S : Yes , but one must be able to make people listen to the words . C : That is my
intention in giving such simple settings , and I should like the movements to be
simple and few in number . S : Why do you think we make so many movements in
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole