Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 18
So it would go on until finally one day he said , “ Look , it's a long run , and I just have to give one bad performance a week . ” Well , that was the one he knew of ! ) Now I have found that a lot of these " naturals ” have the most ...
So it would go on until finally one day he said , “ Look , it's a long run , and I just have to give one bad performance a week . ” Well , that was the one he knew of ! ) Now I have found that a lot of these " naturals ” have the most ...
Page 118
What you ought to look for in choosing someone for a part is whether or not that person can play , and is right for , the highest moment in the part , regardless of whether he exactly fits the first entrance or not .
What you ought to look for in choosing someone for a part is whether or not that person can play , and is right for , the highest moment in the part , regardless of whether he exactly fits the first entrance or not .
Page 148
If you have to look out of a window , find out where it is going to be and really look out of the imaginary one . When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one .
If you have to look out of a window , find out where it is going to be and really look out of the imaginary one . When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |