Method--or madness?: With an introd. by Harold Clurman |
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Page 18
So it would go on until finally one day he said, "Look, it's a long run, and I just
have to give one bad performance a week." Well, that was the one he knew of! )
Now I have found that a lot of these "naturals" have the most extensive technique
for ...
So it would go on until finally one day he said, "Look, it's a long run, and I just
have to give one bad performance a week." Well, that was the one he knew of! )
Now I have found that a lot of these "naturals" have the most extensive technique
for ...
Page 118
about casting. And a great deal of trouble arises out of this in production. What
you ought to look for in choosing someone for a part is whether or not that person
can play, and is right for, the highest moment in the part, regardless of whether he
...
about casting. And a great deal of trouble arises out of this in production. What
you ought to look for in choosing someone for a part is whether or not that person
can play, and is right for, the highest moment in the part, regardless of whether he
...
Page 148
If you have to look out of a window, find out where it is going to be and really look
out of the imaginary one. When the window finally is actually there, you'll be
happy to see it if you have been using an imaginary one. If you have not been
doing ...
If you have to look out of a window, find out where it is going to be and really look
out of the imaginary one. When the window finally is actually there, you'll be
happy to see it if you have been using an imaginary one. If you have not been
doing ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |