Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
It means the same thing — the attention you put on a specific object . It doesn ' t
meant just the general concentration you should have in your work ; it goes
without saying that every good performing artist has to concentrate on what he is
doing ...
It means the same thing — the attention you put on a specific object . It doesn ' t
meant just the general concentration you should have in your work ; it goes
without saying that every good performing artist has to concentrate on what he is
doing ...
Page 39
Twenty - four : “ The finishing of problems ( beats ) and mastery in movement ” (
again , he means inner movement ) . ... Just because the fellow says , “ That ' s
the last I ' m going to say about that , ” doesn ' t mean he ' s through with that “
beat .
Twenty - four : “ The finishing of problems ( beats ) and mastery in movement ” (
again , he means inner movement ) . ... Just because the fellow says , “ That ' s
the last I ' m going to say about that , ” doesn ' t mean he ' s through with that “
beat .
Page 40
I think it means the study of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
I think it means the study of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |