Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 28
I think Stanislavski does not mean so much work on the artist's character alone , because that is only part of it . ... But I think what he probably means is that when you are expressing yourself in a part , somehow all your reactions ...
I think Stanislavski does not mean so much work on the artist's character alone , because that is only part of it . ... But I think what he probably means is that when you are expressing yourself in a part , somehow all your reactions ...
Page 36
It means the same thing — the attention you put on a specific object . It doesn't meant just the general concenshould have in your work ; it goes without saying that every good performing artist has to concentrate on what he is doing .
It means the same thing — the attention you put on a specific object . It doesn't meant just the general concenshould have in your work ; it goes without saying that every good performing artist has to concentrate on what he is doing .
Page 40
I think it means the study of yourself , which so few people do , in order to know what you bring onto the stage as a personality . After all , that does become part , in some way , of the rôle you are creating .
I think it means the study of yourself , which so few people do , in order to know what you bring onto the stage as a personality . After all , that does become part , in some way , of the rôle you are creating .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |