Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Page 36
It doesn't meant just the general concentration you should have in your work; it
goes without saying that every good performing artist has to concentrate / on
what he is doing. Stanislavski doesn't mean that. He means to be able, by your
choice ...
It doesn't meant just the general concentration you should have in your work; it
goes without saying that every good performing artist has to concentrate / on
what he is doing. Stanislavski doesn't mean that. He means to be able, by your
choice ...
Page 38
The next item , Twenty - two , is a little subtle to go into here , but I think you actors
will understand what is meant ( by “ The fluid of the exchange of emotion . ” If you
have ever been playing in a scene with an actor and the emotion has started to ...
The next item , Twenty - two , is a little subtle to go into here , but I think you actors
will understand what is meant ( by “ The fluid of the exchange of emotion . ” If you
have ever been playing in a scene with an actor and the emotion has started to ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole