Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Mind is the least capricious ; Will is less capricious ; and Emotion is the most
capricious . Getting frightened ? Now come the various pipes , from Eleven to
Forty . Eleven to Twenty - seven all deal with the process of feeling , internally . (
By the ...
Mind is the least capricious ; Will is less capricious ; and Emotion is the most
capricious . Getting frightened ? Now come the various pipes , from Eleven to
Forty . Eleven to Twenty - seven all deal with the process of feeling , internally . (
By the ...
Page 29
Eight , Nine and Ten , “ the three motors of our Psychic life , ” as they are rather
floridly called here , are Mind , Will and Feeling ( Emotion ) . The first gives us the
ideas and the understanding , the second gives us the power to execute our ...
Eight , Nine and Ten , “ the three motors of our Psychic life , ” as they are rather
floridly called here , are Mind , Will and Feeling ( Emotion ) . The first gives us the
ideas and the understanding , the second gives us the power to execute our ...
Page 124
To give a quick example that comes to mind: Carl Sandburg, when he spoke of
wedlock in a poem did not say that it is a state of matrimony, which is a concept,
but said, "Wedlock is a padlock." Now, an example of imagery and how it is
created ...
To give a quick example that comes to mind: Carl Sandburg, when he spoke of
wedlock in a poem did not say that it is a state of matrimony, which is a concept,
but said, "Wedlock is a padlock." Now, an example of imagery and how it is
created ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole