Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 11
In any event , shortly after I went off the stage , he had a great moment . I want to
tell you about it ... Our theatre lives are made up of these great moments , and I
used to watch this one every night from the wings . Fedya was the character Ben
...
In any event , shortly after I went off the stage , he had a great moment . I want to
tell you about it ... Our theatre lives are made up of these great moments , and I
used to watch this one every night from the wings . Fedya was the character Ben
...
Page 11
Now I remember this particular moment in the Reinhardt production of The Living
Corpse when Moissi put the gun to his head , [ here I demonstrated ] held it there
for a second , and then let out this piercing wail , “ Ich kann nicht ! ” Then the ...
Now I remember this particular moment in the Reinhardt production of The Living
Corpse when Moissi put the gun to his head , [ here I demonstrated ] held it there
for a second , and then let out this piercing wail , “ Ich kann nicht ! ” Then the ...
Page 163
That there are many elements that go into making a truthful moment in the theatre
. That the truthful feeling of the actor was one part of it but not the whole truth ,
and that half - truths are just as untrue in art as they are in life . What , I asked , of
...
That there are many elements that go into making a truthful moment in the theatre
. That the truthful feeling of the actor was one part of it but not the whole truth ,
and that half - truths are just as untrue in art as they are in life . What , I asked , of
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole