Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 10
... moment . I want to tell you about it because it was one of the first times in my life that something happened on a stage which was memora- ble enough to stay with me my whole life . Our theatre lives are made up of these great moments ...
... moment . I want to tell you about it because it was one of the first times in my life that something happened on a stage which was memora- ble enough to stay with me my whole life . Our theatre lives are made up of these great moments ...
Page 11
... moment in each por- trayal . Moissi , as you know , had a beautiful voice . He sang well -I heard him sing - and there are many recordings of his speaking voice . Now I remember this particular moment in the Reinhardt production of The ...
... moment in each por- trayal . Moissi , as you know , had a beautiful voice . He sang well -I heard him sing - and there are many recordings of his speaking voice . Now I remember this particular moment in the Reinhardt production of The ...
Page 163
... moment , is it the truth of that situation , is it the truth of that author , and is it the truth of that particular style of production ? Those are all the truths that make up a certain moment . I said that if it is true only to you ...
... moment , is it the truth of that situation , is it the truth of that author , and is it the truth of that particular style of production ? Those are all the truths that make up a certain moment . I said that if it is true only to you ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words