Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
You ' re telling someone about something that happened and suddenly you start
to be moved again by the experience . Stanislavski tried to work this out so that it
can be used as material by the creative actor . Of course a great deal of the ...
You ' re telling someone about something that happened and suddenly you start
to be moved again by the experience . Stanislavski tried to work this out so that it
can be used as material by the creative actor . Of course a great deal of the ...
Page 63
stage rehearsing but Stanislavski couldn ' t hear anything . So he got up from the
seat and moved halfway down in the house and he still couldn ' t hear anything .
Finally annoyed , he got right down in the front with the director who recognized ...
stage rehearsing but Stanislavski couldn ' t hear anything . So he got up from the
seat and moved halfway down in the house and he still couldn ' t hear anything .
Finally annoyed , he got right down in the front with the director who recognized ...
Page 90
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling . This was when I saw the great Chinese actor , Mei Lan -
fang , perform . Corny as it may sound , when I left the theatre I walked around for
two ...
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling . This was when I saw the great Chinese actor , Mei Lan -
fang , perform . Corny as it may sound , when I left the theatre I walked around for
two ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole