Method--or madness?: With an introd. by Harold Clurman |
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Page 90
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling. This was when I saw the great Chinese actor, Mei Lan-fang,
perform. Corny as it may sound, when I left the theatre I walked around for ...
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling. This was when I saw the great Chinese actor, Mei Lan-fang,
perform. Corny as it may sound, when I left the theatre I walked around for ...
Page 95
... she had loved, after an absence, and now she had to castigate him because of
something horrendous she believed he had done. When I came to that point in
the play I was extremely moved be- 1 cause it touched something in my own life.
... she had loved, after an absence, and now she had to castigate him because of
something horrendous she believed he had done. When I came to that point in
the play I was extremely moved be- 1 cause it touched something in my own life.
Page 117
Sometimes she was a little funnier here or there, and sometimes she was a little
more moved than at another time. But she always understood the whole*/ intent
of the scene, and in that sense the form was con- stant. -ty To sum up, the form of
...
Sometimes she was a little funnier here or there, and sometimes she was a little
more moved than at another time. But she always understood the whole*/ intent
of the scene, and in that sense the form was con- stant. -ty To sum up, the form of
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |