Method--or Madness?: With an Introd. by Harold Clurman |
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Page 74
Those artists , then , who make a fetish of the Method , should know that what is
good in any idea must enter into us and then express itself naturally in work . We
must search for new aspects of the idea too , and in doing so , we pay real ...
Those artists , then , who make a fetish of the Method , should know that what is
good in any idea must enter into us and then express itself naturally in work . We
must search for new aspects of the idea too , and in doing so , we pay real ...
Page 142
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal , because
naturally , each person has his own first impression . Beginnings are extremely ...
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal , because
naturally , each person has his own first impression . Beginnings are extremely ...
Page 151
Therefore , you naturally spend a larger proportion of your allotted rehearsal time
— whether that be four weeks , two , or one - on the inner problems because you
know you are going to accomplish the physical staging comparatively quickly .
Therefore , you naturally spend a larger proportion of your allotted rehearsal time
— whether that be four weeks , two , or one - on the inner problems because you
know you are going to accomplish the physical staging comparatively quickly .
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |