Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 74
Those artists , then , who make a fetish of the Method , should know that what is good in any idea must enter into us and then express itself naturally in work . We must search for new aspects of the idea too , and in doing so , we pay ...
Those artists , then , who make a fetish of the Method , should know that what is good in any idea must enter into us and then express itself naturally in work . We must search for new aspects of the idea too , and in doing so , we pay ...
Page 142
cast are all at least getting one impression of the play instead of the twelve they might get if each actor was reading his part the very first rehearsal , because naturally , each person has his own first impression .
cast are all at least getting one impression of the play instead of the twelve they might get if each actor was reading his part the very first rehearsal , because naturally , each person has his own first impression .
Page 151
Therefore , you naturally spend a larger proportion of your allotted rehearsal time -whether that be four weeks , two , or one - on the inner problems because you know you are going to accomplish the physical staging comparatively ...
Therefore , you naturally spend a larger proportion of your allotted rehearsal time -whether that be four weeks , two , or one - on the inner problems because you know you are going to accomplish the physical staging comparatively ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |