Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 12
The audience never gasped in Moissi ' s case as they did in BenAmi ' s . Try to
follow me through this because it leads to my ultimate points . The effect that
Moissi made was stunningly “ theatrical . ” It was a real physical thrill . I remember
it ...
The audience never gasped in Moissi ' s case as they did in BenAmi ' s . Try to
follow me through this because it leads to my ultimate points . The effect that
Moissi made was stunningly “ theatrical . ” It was a real physical thrill . I remember
it ...
Page 52
The actor did it when he was placed there but every time we'd go through the
scene, and he'd gotten up to say his few lines, he'd never return to his original
position. He'd sit on his haunches to get comfortable; or if he did everything else
right ...
The actor did it when he was placed there but every time we'd go through the
scene, and he'd gotten up to say his few lines, he'd never return to his original
position. He'd sit on his haunches to get comfortable; or if he did everything else
right ...
Page 129
Need I stress the fact that actors who take a cut - and - dried attitude towards
tempo - rhythm never can really handle verse forms ? “ We are familiar with the
other extreme of reading on the stage in which the verse is all but turned into
prose .
Need I stress the fact that actors who take a cut - and - dried attitude towards
tempo - rhythm never can really handle verse forms ? “ We are familiar with the
other extreme of reading on the stage in which the verse is all but turned into
prose .
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |