Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
Stanislavski tried to work this out so that it can be used as material by the creative
actor. Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item. It's dangerous territory
...
Stanislavski tried to work this out so that it can be used as material by the creative
actor. Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item. It's dangerous territory
...
Page 57
One item in particular which had been very much emphasized in the early thirties
was the “ affective memory . ” It was subsequently found that one ' s insides could
often be attuned by more simple and more immediate means . For example ...
One item in particular which had been very much emphasized in the early thirties
was the “ affective memory . ” It was subsequently found that one ' s insides could
often be attuned by more simple and more immediate means . For example ...
Page 88
Is it to be the truth that represents the comfort of the particular actor involved ; that
is , the truth nearest to his own particular psychology ? Is that all that is meant by
it ? If so , isn ' t that truth just a partial truth ? And how true is a partial truth in life ...
Is it to be the truth that represents the comfort of the particular actor involved ; that
is , the truth nearest to his own particular psychology ? Is that all that is meant by
it ? If so , isn ' t that truth just a partial truth ? And how true is a partial truth in life ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole