Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 86
Page 46
I think what Mr . Stanislavski meant by the " spine ” of the play was something
very much akin to what is called the " theme " — the underlying motivating idea
that pervades the entire play . And each rôle in the play has its main objective ...
I think what Mr . Stanislavski meant by the " spine ” of the play was something
very much akin to what is called the " theme " — the underlying motivating idea
that pervades the entire play . And each rôle in the play has its main objective ...
Page 47
You h can even have characters that may seem to be expressing quite the
reverse of the “ spine ” of the play , but still are related . There was a comedy
character in Golden Boy , a neighbor who felt that the only way he could cope
was " to ...
You h can even have characters that may seem to be expressing quite the
reverse of the “ spine ” of the play , but still are related . There was a comedy
character in Golden Boy , a neighbor who felt that the only way he could cope
was " to ...
Page 75
I hit that “ too ” because I don ' t want to give the impression that I feel one should
not analyze one ' s part or the play . However , I feel that often not enough trust is
put in the play . If it is a good play , its clues will jump out at you and stimulate ...
I hit that “ too ” because I don ' t want to give the impression that I feel one should
not analyze one ' s part or the play . However , I feel that often not enough trust is
put in the play . If it is a good play , its clues will jump out at you and stimulate ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |