Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 9
... acting rather than at developing good artists ? In this section I will also discuss acting as it relates to music , painting and other arts . Fi- nally , the Method in connection with poetic theatre , mu- sicals , Shakespeare , etc. Now ...
... acting rather than at developing good artists ? In this section I will also discuss acting as it relates to music , painting and other arts . Fi- nally , the Method in connection with poetic theatre , mu- sicals , Shakespeare , etc. Now ...
Page 124
... poetic aspiration of feeling , a yearning for a better life . Last week we examined the form of the realistic play ; tonight let's take a look at the problems of poetic theatre . I went to the dictionary and looked up the definition of ...
... poetic aspiration of feeling , a yearning for a better life . Last week we examined the form of the realistic play ; tonight let's take a look at the problems of poetic theatre . I went to the dictionary and looked up the definition of ...
Page 164
... theatre , rather than the world of acting technique alone ? This would broaden our very attitude toward actual ... poetic theatre , " which included Shakespeare , musicals , productions involving problems of style , there were still ...
... theatre , rather than the world of acting technique alone ? This would broaden our very attitude toward actual ... poetic theatre , " which included Shakespeare , musicals , productions involving problems of style , there were still ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words