Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 46
For example : A play you all know , Golden Boy , by Odets , which the Group
Theatre did , was about a violinist who , feeling inadequate in his surroundings
for various reasons , and finding himself unable to cope with his problems , gave
up ...
For example : A play you all know , Golden Boy , by Odets , which the Group
Theatre did , was about a violinist who , feeling inadequate in his surroundings
for various reasons , and finding himself unable to cope with his problems , gave
up ...
Page 79
It ' s the “ I - don ' t - feel - itthat - way ” problem ! Sometimes the exigencies of the
mo - j ment demand that a line be said in a certain way : let ' s say loudly . The
reasons for this can be manifold — a matter of balance , of emphasis , of shock .
It ' s the “ I - don ' t - feel - itthat - way ” problem ! Sometimes the exigencies of the
mo - j ment demand that a line be said in a certain way : let ' s say loudly . The
reasons for this can be manifold — a matter of balance , of emphasis , of shock .
Page 81
In that way , you get real value from an improvisation because you are working
for a solution to a particular problem . Workshop training should also always be
related to playing , and not carried on in an academic vacuum . Some of the
views ...
In that way , you get real value from an improvisation because you are working
for a solution to a particular problem . Workshop training should also always be
related to playing , and not carried on in an academic vacuum . Some of the
views ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |