Method--or madness?: With an introd. by Harold Clurman |
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Page xi
Theatre which in America first applied the Method in production on a broad scale
— Lewis has directed, among other plays, Saroyan's My Heart's in the Highlands,
a poetic play, Brigadoon, a musical, The Happy Time, a comedy of French ...
Theatre which in America first applied the Method in production on a broad scale
— Lewis has directed, among other plays, Saroyan's My Heart's in the Highlands,
a poetic play, Brigadoon, a musical, The Happy Time, a comedy of French ...
Page 73
The same principle holds for directors, too. The difference between the first
production-plan talk and what happens when the curtain goes up on opening
night may be the widest chasm in all geography. The director might say, in his
production ...
The same principle holds for directors, too. The difference between the first
production-plan talk and what happens when the curtain goes up on opening
night may be the widest chasm in all geography. The director might say, in his
production ...
Page 76
I had heard stories of the Habima Theatre's production of The Dybbuk, which they
had rehearsed for six months, and the last three months they had to rush! The
author of the play was ill (not because it was taking them six months — he was ill
...
I had heard stories of the Habima Theatre's production of The Dybbuk, which they
had rehearsed for six months, and the last three months they had to rush! The
author of the play was ill (not because it was taking them six months — he was ill
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |