Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 73
The difference between the first production - plan talk and what happens when
the curtain goes up on opening night may be the widest chasm in all geography .
The director might say , in his production talk , “ We ' re going to make this entire ...
The difference between the first production - plan talk and what happens when
the curtain goes up on opening night may be the widest chasm in all geography .
The director might say , in his production talk , “ We ' re going to make this entire ...
Page 76
I had heard stories of the Habima Theatre ' s production of The Dybbuk , which
they had rehearsed for six months , and the last three months they had to rush !
The author of the play was ill ( not because it was taking them six months - he
was ...
I had heard stories of the Habima Theatre ' s production of The Dybbuk , which
they had rehearsed for six months , and the last three months they had to rush !
The author of the play was ill ( not because it was taking them six months - he
was ...
Page 152
so hilarious that I wanted you to hear it . It is a revealing example of how these
problems were tackled in an actual production by two world - famous masters ,
and , as such , deserves our attention here tonight in the last lecture of this series
.
so hilarious that I wanted you to hear it . It is a revealing example of how these
problems were tackled in an actual production by two world - famous masters ,
and , as such , deserves our attention here tonight in the last lecture of this series
.
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole