Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 18
... psychological " ( almost used as a synonym for " introverted " in theatre discussions these days ) ; and that the second is " theatrical , " and " you takes your your choice . " When Bernard Shaw wrote his famous essay about Duse and ...
... psychological " ( almost used as a synonym for " introverted " in theatre discussions these days ) ; and that the second is " theatrical , " and " you takes your your choice . " When Bernard Shaw wrote his famous essay about Duse and ...
Page 59
... psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we were doing Men in White , in which I was attempting to find some approach to style in acting through experiments with music ...
... psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we were doing Men in White , in which I was attempting to find some approach to style in acting through experiments with music ...
Page 151
... psychologically : the relation- ships of the characters , the probing into what the people mean by what they say , the emotional content of the scenes , etc. There may be few difficult problems of physi- cal staging in a play of that ...
... psychologically : the relation- ships of the characters , the probing into what the people mean by what they say , the emotional content of the scenes , etc. There may be few difficult problems of physi- cal staging in a play of that ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words