Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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I did not say “ realistic ” acting . The distinction is important because the Method was introduced to Stanislavski's ( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov , Gorki , et al , and to the American ...
I did not say “ realistic ” acting . The distinction is important because the Method was introduced to Stanislavski's ( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov , Gorki , et al , and to the American ...
Page 164
We spoke about the form of realistic theatre and I said that just because it was realistic , that did not mean it was formless . There is a definite realistic form that exists and I tried to point out what that form was — the successful ...
We spoke about the form of realistic theatre and I said that just because it was realistic , that did not mean it was formless . There is a definite realistic form that exists and I tried to point out what that form was — the successful ...
Page 164
We spoke about the form of realistic theatre and I said that just because it was realistic , that did not mean it was formless . There is a definite realistic form that exists and I tried to point out what that form was — the successful ...
We spoke about the form of realistic theatre and I said that just because it was realistic , that did not mean it was formless . There is a definite realistic form that exists and I tried to point out what that form was — the successful ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |