Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 4
I did not say “ realistic " acting . The distinction is important because the Method
was introduced to Stanislavski ' s ( Moscow Art ) theatre around 1911 in the
heyday of the realistic play : Chekhov , Gorki , et al , and to the American theatre ...
I did not say “ realistic " acting . The distinction is important because the Method
was introduced to Stanislavski ' s ( Moscow Art ) theatre around 1911 in the
heyday of the realistic play : Chekhov , Gorki , et al , and to the American theatre ...
Page 109
I think there is a mistaken conception that form is a problem for Molière , or some
such “ stylized ” plays , but that in the realistic theatre we are recreating life and
are less concerned with form . I contend that realism itself is a form , one of the ...
I think there is a mistaken conception that form is a problem for Molière , or some
such “ stylized ” plays , but that in the realistic theatre we are recreating life and
are less concerned with form . I contend that realism itself is a form , one of the ...
Page 164
We spoke about the form of realistic theatre and I said that just because it was
realistic , that did not mean it was formless . There is a definite realistic form that
exists and I tried to point out what that form was — the successful scene - by -
scene ...
We spoke about the form of realistic theatre and I said that just because it was
realistic , that did not mean it was formless . There is a definite realistic form that
exists and I tried to point out what that form was — the successful scene - by -
scene ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |