Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 139
EIGHTH LECTURE : Rehearsal Procedureand Summation For this , the last of the series , I walked onto the stage to an especially gratifying round of applause which prompted me to say : There's nothing people like more than a closing !
EIGHTH LECTURE : Rehearsal Procedureand Summation For this , the last of the series , I walked onto the stage to an especially gratifying round of applause which prompted me to say : There's nothing people like more than a closing !
Page 142
cast are all at least getting one impression of the play instead of the twelve they might get if each actor was reading his part the very first rehearsal , because naturally , each person has his own first impression .
cast are all at least getting one impression of the play instead of the twelve they might get if each actor was reading his part the very first rehearsal , because naturally , each person has his own first impression .
Page 151
You then are ready for dress rehearsals with scenery , costumes and so on ; and there's always some further adjustment on ... Now the amount of time that should be spent on each one of these sections of rehearsal varies according to the ...
You then are ready for dress rehearsals with scenery , costumes and so on ; and there's always some further adjustment on ... Now the amount of time that should be spent on each one of these sections of rehearsal varies according to the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole