Method--or madness?: With an introd. by Harold Clurman |
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Page 139
eighth lecture: Rehearsal Procedure- arid Summation For this, the last of the
series, I walked onto the stage to an especially gratifying round of applause
which prompted me to say: There's nothing people like more than a closing! I
would like ...
eighth lecture: Rehearsal Procedure- arid Summation For this, the last of the
series, I walked onto the stage to an especially gratifying round of applause
which prompted me to say: There's nothing people like more than a closing! I
would like ...
Page 142
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal, because
naturally, each person has his own first impression. Beginnings are extremely ...
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal, because
naturally, each person has his own first impression. Beginnings are extremely ...
Page 151
You then are ready for dress rehearsals with scenery, costumes and so on; and
there's always some further adjustment on the part of the actor to all that. Then
finally, the audience in New Haven, or wherever. The audience, too, makes other
...
You then are ready for dress rehearsals with scenery, costumes and so on; and
there's always some further adjustment on the part of the actor to all that. Then
finally, the audience in New Haven, or wherever. The audience, too, makes other
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |