Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 30
Page 139
EIGHTH LECTURE : Rehearsal Procedureand Summation For this , the last of
the series , I walked onto the stage to an especially gratifying round of applause
which prompted me to say : There ' s nothing people like more than a closing !
EIGHTH LECTURE : Rehearsal Procedureand Summation For this , the last of
the series , I walked onto the stage to an especially gratifying round of applause
which prompted me to say : There ' s nothing people like more than a closing !
Page 142
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal , because
naturally , each person has his own first impression . Beginnings are extremely ...
cast are all at least getting one impression of the play instead of the twelve they
might get if each actor was reading his part the very first rehearsal , because
naturally , each person has his own first impression . Beginnings are extremely ...
Page 151
You then are ready for dress rehearsals with scenery , costumes and so on ; and
there ' s always some further adjustment on the ... Now the amount of time that
should be spent on each one of these sections of rehearsal varies according to
the ...
You then are ready for dress rehearsals with scenery , costumes and so on ; and
there ' s always some further adjustment on the ... Now the amount of time that
should be spent on each one of these sections of rehearsal varies according to
the ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole