Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 41
sence , he felt that while it is true that the proper psychological preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a character will lead you to feel correctly in the part ...
sence , he felt that while it is true that the proper psychological preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a character will lead you to feel correctly in the part ...
Page 42
“ External tempo and rhythm . ” Twenty - nine . This is related to number Twenty - seven . Just as our “ feeling ” affects the tempo and rhythm of our delivery , so our sense of external tempo and rhythm connects with our emotion .
“ External tempo and rhythm . ” Twenty - nine . This is related to number Twenty - seven . Just as our “ feeling ” affects the tempo and rhythm of our delivery , so our sense of external tempo and rhythm connects with our emotion .
Page 62
an actor , for instance , of the type of ( here he mentions the fellow's name ) with an uneven rhythm in his speech . He switches it not only from clause to clause but in the middle even of a single phrase . Often one half of a sentence ...
an actor , for instance , of the type of ( here he mentions the fellow's name ) with an uneven rhythm in his speech . He switches it not only from clause to clause but in the middle even of a single phrase . Often one half of a sentence ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |