Method--or madness?: With an introd. by Harold Clurman |
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Page 41
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
Page 42
"External tempo and rhythm." Twenty-nine. This is related to number Twenty-
seven. Just as our "feeling" affects the tempo and rhythm of our delivery, so our
sense of external tempo and rhythm connects with our emotion. Acting training
should ...
"External tempo and rhythm." Twenty-nine. This is related to number Twenty-
seven. Just as our "feeling" affects the tempo and rhythm of our delivery, so our
sense of external tempo and rhythm connects with our emotion. Acting training
should ...
Page 62
an actor, for instance, of the type of (here he mentions the fellow's name) with an
uneven rhythm in his speech. He switches it not only from clause to clause but in
the middle even of a single phrase. Often one half of a sentence will be spoken ...
an actor, for instance, of the type of (here he mentions the fellow's name) with an
uneven rhythm in his speech. He switches it not only from clause to clause but in
the middle even of a single phrase. Often one half of a sentence will be spoken ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |