Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 78
I suspect there is a danger inherent in the practice of working exclusively on “ big ” scenes in studio classes . It is inevitable that you will choose an exciting scene to do and not a dreary scene where nothing much happens .
I suspect there is a danger inherent in the practice of working exclusively on “ big ” scenes in studio classes . It is inevitable that you will choose an exciting scene to do and not a dreary scene where nothing much happens .
Page 80
Whatever the reason was , I could not get them to talk or listen to each other and really play the scene in the author's words . So I said , “ Now that you know the make - up of the scene , the intentions , just get up and do it in your ...
Whatever the reason was , I could not get them to talk or listen to each other and really play the scene in the author's words . So I said , “ Now that you know the make - up of the scene , the intentions , just get up and do it in your ...
Page 148
I take a scene or a section of it and have the actors involved do the scene in the chairs so that they get that wonderful connection again which they have lost a bit through having to get their positions . Then , as soon as they've got ...
I take a scene or a section of it and have the actors involved do the scene in the chairs so that they get that wonderful connection again which they have lost a bit through having to get their positions . Then , as soon as they've got ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |