Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 14
He taught his daughter , Pauline Viardot , to sing with his method . She was born
in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing .
Litvinne was born in St . Petersburg . Félia Litvinne taught Nina Koshetz to sing .
He taught his daughter , Pauline Viardot , to sing with his method . She was born
in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing .
Litvinne was born in St . Petersburg . Félia Litvinne taught Nina Koshetz to sing .
Page 63
Yet the greatest operatic singers in history were all “ true feelers . ” The famous
singer Chaliapin was a mountain of feeling . In our own time Boris Christoff ,
whom I ' ve heard in Italy , sings with wonderful , well - understood feeling , and
sings ...
Yet the greatest operatic singers in history were all “ true feelers . ” The famous
singer Chaliapin was a mountain of feeling . In our own time Boris Christoff ,
whom I ' ve heard in Italy , sings with wonderful , well - understood feeling , and
sings ...
Page 131
The third step , after you have fitted your acting to the music timewise , is to add
the singing . Since singing raises you to a point of general feeling by itself , you
may lose some of the specifics you have worked for so far . But , you are ...
The third step , after you have fitted your acting to the music timewise , is to add
the singing . Since singing raises you to a point of general feeling by itself , you
may lose some of the specifics you have worked for so far . But , you are ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole