Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 43
Diction ( the feeling of the soul 7 of the language by knowing the nature of
sounds ) . ” Isn ' t ) that nicely put ? We should do a lot about this little number .
Aside from the matter of pronunciation , there is the ? fact of what the use of the
sound of ...
Diction ( the feeling of the soul 7 of the language by knowing the nature of
sounds ) . ” Isn ' t ) that nicely put ? We should do a lot about this little number .
Aside from the matter of pronunciation , there is the ? fact of what the use of the
sound of ...
Page 63
... at the City Center , I had Brenda Lewis in the leading part and in working with
her I found feeling never impeded her singing . On the contrary , her emotion
colored and enhanced her singing . The whole point is : what kind of a sound do
you ...
... at the City Center , I had Brenda Lewis in the leading part and in working with
her I found feeling never impeded her singing . On the contrary , her emotion
colored and enhanced her singing . The whole point is : what kind of a sound do
you ...
Page 90
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling . This was when I saw the great Chinese actor , Mei Lan -
fang , perform . Corny as it may sound , when I left the theatre I walked around for
two ...
A time that I was most moved in the theatre had nothing to do with this Method
and its inner feeling . This was when I saw the great Chinese actor , Mei Lan -
fang , perform . Corny as it may sound , when I left the theatre I walked around for
two ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole