Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 43
“ Diction ( the feeling of the soul of the language by knowing the nature of sounds ) . ” Isn't that nicely put ? ... Aside from the matter of pronunciation , there is the ? fact of what the use of the sound of words can give us .
“ Diction ( the feeling of the soul of the language by knowing the nature of sounds ) . ” Isn't that nicely put ? ... Aside from the matter of pronunciation , there is the ? fact of what the use of the sound of words can give us .
Page 64
even , empty sound ; or do you want to make a sound of true beauty because it has to do with what's going on in the play ? See you next week . FOURTH LECTURE MAY 6 , 1957 METHOD FETISHES ! FOURTH 64.
even , empty sound ; or do you want to make a sound of true beauty because it has to do with what's going on in the play ? See you next week . FOURTH LECTURE MAY 6 , 1957 METHOD FETISHES ! FOURTH 64.
Page 90
Corny as it may sound , when I left the theatre I walked around for two hours before I could go home ... crying he took his fan , put it in a certain position which just revealed his eyes and made a mewing sound , rhythmic , beautiful .
Corny as it may sound , when I left the theatre I walked around for two hours before I could go home ... crying he took his fan , put it in a certain position which just revealed his eyes and made a mewing sound , rhythmic , beautiful .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole