Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 27
Twenty — “ The exchange of sentiments ( speaking to the eyes ) ; ” Twenty - one
— “ To recreate emotion to show different colors ; " Twenty - two — “ The fluid of
exchange of emotion ; ” Twenty - three — “ The control that removes clichés ( the
...
Twenty — “ The exchange of sentiments ( speaking to the eyes ) ; ” Twenty - one
— “ To recreate emotion to show different colors ; " Twenty - two — “ The fluid of
exchange of emotion ; ” Twenty - three — “ The control that removes clichés ( the
...
Page 131
... through having been an actor , where you can speak fully and at length , as
well as where you should be too moved to ... by speaking verse ) is checked by
having , in rehearsals , dinned into yourself the inner pattern of thought and
feeling .
... through having been an actor , where you can speak fully and at length , as
well as where you should be too moved to ... by speaking verse ) is checked by
having , in rehearsals , dinned into yourself the inner pattern of thought and
feeling .
Page 163
I then came to " truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out “ in favor of ” truth , I also ...
I then came to " truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out “ in favor of ” truth , I also ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |