Method--or madness?: With an introd. by Harold Clurman |
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Page 27
Twenty — "The exchange of sentiments (speaking to the eyes ) ;" Twenty-one — "
To recreate emotion to show different colors;" Twenty-two — "The fluid of
exchange of emotion;" Twenty-three — "The control that removes cliches (the
judge of ...
Twenty — "The exchange of sentiments (speaking to the eyes ) ;" Twenty-one — "
To recreate emotion to show different colors;" Twenty-two — "The fluid of
exchange of emotion;" Twenty-three — "The control that removes cliches (the
judge of ...
Page 30
Now this process of intention goes on not only when you are speaking; it is
present all the time, whether you are speaking, listening, or standing alone on the
stage, thinking. It is a continuing component of acting which is very basic. It is, in
a ...
Now this process of intention goes on not only when you are speaking; it is
present all the time, whether you are speaking, listening, or standing alone on the
stage, thinking. It is a continuing component of acting which is very basic. It is, in
a ...
Page 163
I then came to "truth" and asked whether the people who are always speaking of "
living their part" are really living the part or really living themselves and adding
the author's words to that life. And, while I came out "in favor of" truth, I also tried
to ...
I then came to "truth" and asked whether the people who are always speaking of "
living their part" are really living the part or really living themselves and adding
the author's words to that life. And, while I came out "in favor of" truth, I also tried
to ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |