Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 27
of exTwenty— “ The exchange of sentiments ( speaking to the eyes ) ; ” Twenty - one— “ To recreate emotion to show different colors ; ” Twenty - two_ “ The fluid of exchange of emotion ; " Twenty - three— “ The control that removes ...
of exTwenty— “ The exchange of sentiments ( speaking to the eyes ) ; ” Twenty - one— “ To recreate emotion to show different colors ; ” Twenty - two_ “ The fluid of exchange of emotion ; " Twenty - three— “ The control that removes ...
Page 30
Now this process of intention goes on not only when you are speaking ; it is present all the time , whether you are speaking , listening , or standing alone on the stage , thinking . It is a continuing component of acting which is very ...
Now this process of intention goes on not only when you are speaking ; it is present all the time , whether you are speaking , listening , or standing alone on the stage , thinking . It is a continuing component of acting which is very ...
Page 163
I then came to “ truth ” and asked whether the people who are always speaking of “ living their part ” are really living the part or really living themselves and adding the author's words to that life . And , while I came out “ in favor ...
I then came to “ truth ” and asked whether the people who are always speaking of “ living their part ” are really living the part or really living themselves and adding the author's words to that life . And , while I came out “ in favor ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole