Method--or madness?: With an introd. by Harold Clurman |
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Page 44
But even failing anything as specific as that (you don't have to become an
accomplished ballet or tap [ dancer), I think any knowledge of dancing that you
can have will help you in the creation of characters which require some sense of
...
But even failing anything as specific as that (you don't have to become an
accomplished ballet or tap [ dancer), I think any knowledge of dancing that you
can have will help you in the creation of characters which require some sense of
...
Page 52
To test myself as to how technique has served me as I direct, I tried this week to
think of specific moments when I had to have a certain effect; times when, as an
artist, I was obsessed with a moment and it had to be done a specific way.
To test myself as to how technique has served me as I direct, I tried this week to
think of specific moments when I had to have a certain effect; times when, as an
artist, I was obsessed with a moment and it had to be done a specific way.
Page 111
If, for example, you find that the specific line where it was decided you should "
start to suspect him" is actually three lines before you challenge him (in the
dialogue) and you have been suspecting him on the challenging line, then you
might ...
If, for example, you find that the specific line where it was decided you should "
start to suspect him" is actually three lines before you challenge him (in the
dialogue) and you have been suspecting him on the challenging line, then you
might ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |