Method--or madness?: With an introd. by Harold Clurman |
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Page 60
All these are phonetic possibilities out of which to fashion an endless variety of
the tempo-rhythms of speech. In making use of them an actor works out for
himself a finely proportioned speech style. He needs this when he is on the stage
and ...
All these are phonetic possibilities out of which to fashion an endless variety of
the tempo-rhythms of speech. In making use of them an actor works out for
himself a finely proportioned speech style. He needs this when he is on the stage
and ...
Page 62
an actor, for instance, of the type of (here he mentions the fellow's name) with an
uneven rhythm in his speech. He switches it not only from clause to clause but in
the middle even of a single phrase. Often one half of a sentence will be spoken ...
an actor, for instance, of the type of (here he mentions the fellow's name) with an
uneven rhythm in his speech. He switches it not only from clause to clause but in
the middle even of a single phrase. Often one half of a sentence will be spoken ...
Page 165
Let them find out if, with their sole attention to line readings, speech, movement,
posture, and all the various things they call "style," they are actually building on
solid ground — on well-thought-out and truly experienced "insides." On the other
...
Let them find out if, with their sole attention to line readings, speech, movement,
posture, and all the various things they call "style," they are actually building on
solid ground — on well-thought-out and truly experienced "insides." On the other
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |