Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 60
All these are phonetic possibilities out of which to fashion an endless variety of the tempo - rhythms of speech . In making use of them an actor works out for himself a finely proportioned speech style . He needs this when he is on the ...
All these are phonetic possibilities out of which to fashion an endless variety of the tempo - rhythms of speech . In making use of them an actor works out for himself a finely proportioned speech style . He needs this when he is on the ...
Page 62
an actor , for instance , of the type of ( here he mentions the fellow's name ) with an uneven rhythm in his speech . He switches it not only from clause to clause but in the middle even of a single phrase . Often one half of a sentence ...
an actor , for instance , of the type of ( here he mentions the fellow's name ) with an uneven rhythm in his speech . He switches it not only from clause to clause but in the middle even of a single phrase . Often one half of a sentence ...
Page 165
Let them find out if , with their sole attention to line readings , speech , movement , posture , and all the various things they call “ style , ” they are actually building on solid ground — on well - thought - out and truly ...
Let them find out if , with their sole attention to line readings , speech , movement , posture , and all the various things they call “ style , ” they are actually building on solid ground — on well - thought - out and truly ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |