Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 60
All these are phonetic possibilities out of which to fashion an endless variety of
the tempo - rhythms of speech . In making use of them an actor works out for
himself a finely proportioned speech style . He needs this when he is on the
stage and ...
All these are phonetic possibilities out of which to fashion an endless variety of
the tempo - rhythms of speech . In making use of them an actor works out for
himself a finely proportioned speech style . He needs this when he is on the
stage and ...
Page 62
an actor , for instance , of the type of ( here he mentions the fellow ' s name ) with
an uneven rhythm in his speech . He switches it not only from clause to clause
but in the middle even of a single phrase . Often one half of a sentence will be ...
an actor , for instance , of the type of ( here he mentions the fellow ' s name ) with
an uneven rhythm in his speech . He switches it not only from clause to clause
but in the middle even of a single phrase . Often one half of a sentence will be ...
Page 81
Some of the views finicky people have regarding speech training for example ,
that it might lead to “ precious ” speech may very well be justified if the training is
isolated ; but that does not mean one shouldn ' t have speech training at all .
Some of the views finicky people have regarding speech training for example ,
that it might lead to “ precious ” speech may very well be justified if the training is
isolated ; but that does not mean one shouldn ' t have speech training at all .
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |