Method--or madness?: With an introd. by Harold Clurman |
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Page 40
I think it means the study of yourself, which so few people do, in order to know
what you bring onto the stage as a personality. After all, that does become part, in
some way, of the role you are creating. Very often actors fail to understand why ...
I think it means the study of yourself, which so few people do, in order to know
what you bring onto the stage as a personality. After all, that does become part, in
some way, of the role you are creating. Very often actors fail to understand why ...
Page 62
As he didn't know where the stage door was he came through the front of the
house. Since the company was rehearsing on the stage and he didn't want to
interrupt he sat in the back of the auditorium for a moment. The director was
sitting ...
As he didn't know where the stage door was he came through the front of the
house. Since the company was rehearsing on the stage and he didn't want to
interrupt he sat in the back of the auditorium for a moment. The director was
sitting ...
Page 119
There are certain faces that are beautiful in life which don't mean a darned thing
on the stage. There are other faces which have a certain luminousness on the
stage which, upon close examination, may not contain the features of the ideal ...
There are certain faces that are beautiful in life which don't mean a darned thing
on the stage. There are other faces which have a certain luminousness on the
stage which, upon close examination, may not contain the features of the ideal ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words