Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 40
I think it means the study of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
I think it means the study of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
Page 62
As he didn ' t know where the stage door was he came through the front of the
house . Since the company was rehearsing on the stage and he didn ' t want to
interrupt he sat in the back of the auditorium for a moment . The director was
sitting ...
As he didn ' t know where the stage door was he came through the front of the
house . Since the company was rehearsing on the stage and he didn ' t want to
interrupt he sat in the back of the auditorium for a moment . The director was
sitting ...
Page 73
membered how she actually appeared to be when she came out on the stage ,
seemingly meeting those people for the first time , not knowing how either they or
she got there , with that wonderful kind of “ lost ” quality which gradually grew in ...
membered how she actually appeared to be when she came out on the stage ,
seemingly meeting those people for the first time , not knowing how either they or
she got there , with that wonderful kind of “ lost ” quality which gradually grew in ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole