Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 17
Page 4
... to every kind of acting - good acting — and not narrowly to realistic acting as
such . It cannot be emphasized too much that the Method is not a style . Style in
the theatre depends on the nature of the play presented , the production ideas
and ...
... to every kind of acting - good acting — and not narrowly to realistic acting as
such . It cannot be emphasized too much that the Method is not a style . Style in
the theatre depends on the nature of the play presented , the production ideas
and ...
Page 156
What style should be adopted for each ? Moreover this style should be
apprehended not intellectually , but pictorially . C : I see only one free man here .
Ophelia , Laertes and Polonius ; these are under the King ' s influence , and
Ophelia ...
What style should be adopted for each ? Moreover this style should be
apprehended not intellectually , but pictorially . C : I see only one free man here .
Ophelia , Laertes and Polonius ; these are under the King ' s influence , and
Ophelia ...
Page 164
and correctly used for the character , theme , circumstances , and chosen style of
the author and the play at hand . We then went on to discuss the point : actor or
artist ? Isn ' t it time we extended our interest to a sense of the whole theatre ...
and correctly used for the character , theme , circumstances , and chosen style of
the author and the play at hand . We then went on to discuss the point : actor or
artist ? Isn ' t it time we extended our interest to a sense of the whole theatre ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |