Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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... style . Style in the theatre depends on the nature of the play presented , the production ideas and tempera- ment of the director and the performing company . The Method is technique , a method for the training of the actor so that with ...
... style . Style in the theatre depends on the nature of the play presented , the production ideas and tempera- ment of the director and the performing company . The Method is technique , a method for the training of the actor so that with ...
Page 59
... style going on along with the " psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we were doing Men in White , in which I was attempting to find some approach to style in acting ...
... style going on along with the " psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we were doing Men in White , in which I was attempting to find some approach to style in acting ...
Page 156
... style should be adopted for each ? Moreover this style should be apprehended not intellectually , but pic- torially . C : I see only one free man here . Ophelia , Laertes and Polonius ; these are under the King's influence , and Ophelia ...
... style should be adopted for each ? Moreover this style should be apprehended not intellectually , but pic- torially . C : I see only one free man here . Ophelia , Laertes and Polonius ; these are under the King's influence , and Ophelia ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words