Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 58
Well , ” I said , “ Not only are you not supposed to stop and think of your technique
in a farce , you are not supposed to do it in a tragedy either ! You work out your
part and then you play it ! It is two different things ! When you are in Carnegie ...
Well , ” I said , “ Not only are you not supposed to stop and think of your technique
in a farce , you are not supposed to do it in a tragedy either ! You work out your
part and then you play it ! It is two different things ! When you are in Carnegie ...
Page 90
It ' s the audience which is supposed to feel it ? ” I think it is an excuse for the fact
that the actor is not doing what he should be doing . I think if he really does it right
, he will feel it ! Or , if not , we must find out what he is doing that is wrong .
It ' s the audience which is supposed to feel it ? ” I think it is an excuse for the fact
that the actor is not doing what he should be doing . I think if he really does it right
, he will feel it ! Or , if not , we must find out what he is doing that is wrong .
Page 93
But don ' t tell me what I ' m supposed to be thinking because that ' s as if I had to
play two parts at once and I just can ' t do it ! " In this case , the famous actor was
using his concentration and energy for the least important purpose in acting ...
But don ' t tell me what I ' m supposed to be thinking because that ' s as if I had to
play two parts at once and I just can ' t do it ! " In this case , the famous actor was
using his concentration and energy for the least important purpose in acting ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |