Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 5
Here then is theatre talk from a showman , talk which clears the air of the
hothouse fumes that have gathered around the sensible structure of the Method -
useful and needed talk . New York City , July 15 , 1958 FIRST LECTURE APRIL
15 ...
Here then is theatre talk from a showman , talk which clears the air of the
hothouse fumes that have gathered around the sensible structure of the Method -
useful and needed talk . New York City , July 15 , 1958 FIRST LECTURE APRIL
15 ...
Page 10
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Page 11
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole