Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 16
Now if " method ” has become a confusing word to you , you could , if you wish ,
use the word " technique . ” Also , while some berate Method practitioners , I think
few will admit that they themselves have no technique . Ah , yes — but what ...
Now if " method ” has become a confusing word to you , you could , if you wish ,
use the word " technique . ” Also , while some berate Method practitioners , I think
few will admit that they themselves have no technique . Ah , yes — but what ...
Page 19
Now a word about the purpose of technique . Technique is a guide ; it is there if ,
when , and as , you need it . If a painter wants a certain specific color , his
technique helps him to mix that color ; then he ' s off again , painting . When a
composer ...
Now a word about the purpose of technique . Technique is a guide ; it is there if ,
when , and as , you need it . If a painter wants a certain specific color , his
technique helps him to mix that color ; then he ' s off again , painting . When a
composer ...
Page 161
Then the last group were people who had a normal interest in all theatre
techniques , of which Stanislavski ' s System was one . ... I then went on to say
that the Stanislavski Method was one technique of acting , that there were others ,
and I ...
Then the last group were people who had a normal interest in all theatre
techniques , of which Stanislavski ' s System was one . ... I then went on to say
that the Stanislavski Method was one technique of acting , that there were others ,
and I ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole