Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 12
... tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide ! So I said to myself ...
... tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide ! So I said to myself ...
Page 16
... tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their sea- son in London . Then there is a system of ...
... tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their sea- son in London . Then there is a system of ...
Page 23
... tell the elements that make up the Stanislavski system . Al- though I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master himself came in 1934. I was an actor ...
... tell the elements that make up the Stanislavski system . Al- though I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master himself came in 1934. I was an actor ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words