Method--or Madness?: With an Introd. by Harold Clurman |
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Page 4
The distinction is important because the Method was introduced to Stanislavski ' s
( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov ,
Gorki , et al , and to the American theatre between 1925 – 35 when plays by ...
The distinction is important because the Method was introduced to Stanislavski ' s
( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov ,
Gorki , et al , and to the American theatre between 1925 – 35 when plays by ...
Page 126
So we begin to see that theatre poetry is concerned not only with poetic words
but with a kind of unification of all the theatre arts , of which words are only one
element . One could even do without them , and there has been theatre without ...
So we begin to see that theatre poetry is concerned not only with poetic words
but with a kind of unification of all the theatre arts , of which words are only one
element . One could even do without them , and there has been theatre without ...
Page 164
Isn ' t it time we extended our interest to a sense of the whole theatre , rather than
the world of acting technique alone ? This would broaden our very attitude
toward actual acting problems . We spoke about the form of realistic theatre and I
said ...
Isn ' t it time we extended our interest to a sense of the whole theatre , rather than
the world of acting technique alone ? This would broaden our very attitude
toward actual acting problems . We spoke about the form of realistic theatre and I
said ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |