Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 18
That does not mean that the first need be , or should be , “ psychological ” (
almost used as a synonym for " introverted ” in theatre discussions these days ) ;
and that the second is “ theatrical , ” and “ you takes your choice . " When Bernard
...
That does not mean that the first need be , or should be , “ psychological ” (
almost used as a synonym for " introverted ” in theatre discussions these days ) ;
and that the second is “ theatrical , ” and “ you takes your choice . " When Bernard
...
Page 39
line , or the biting of the back . of the hand for “ terror , ” etc . , are obvious physical
clichés ; . our theatre is riddled with them . We have almost as many conventions
as the Oriental theatre , in a way : the turning , upstage with the hand covering ...
line , or the biting of the back . of the hand for “ terror , ” etc . , are obvious physical
clichés ; . our theatre is riddled with them . We have almost as many conventions
as the Oriental theatre , in a way : the turning , upstage with the hand covering ...
Page 109
I think there is a mistaken conception that form is a problem for Molière , or some
such “ stylized ” plays , but that in the realistic theatre we are recreating life and
are less concerned with form . I contend that realism itself is a form , one of the ...
I think there is a mistaken conception that form is a problem for Molière , or some
such “ stylized ” plays , but that in the realistic theatre we are recreating life and
are less concerned with form . I contend that realism itself is a form , one of the ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |