Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 18
That does not mean that the first need be , or should be , “ psychological ” ( almost used as a synonym for " introverted ” in theatre discussions these days ) ; and that the second is “ theatrical , ” and “ you takes your choice .
That does not mean that the first need be , or should be , “ psychological ” ( almost used as a synonym for " introverted ” in theatre discussions these days ) ; and that the second is “ theatrical , ” and “ you takes your choice .
Page 39
line , or the biting of the back . of the hand for “ terror , ” etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental theatre , in a way : the turning , upstage with ...
line , or the biting of the back . of the hand for “ terror , ” etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental theatre , in a way : the turning , upstage with ...
Page 109
I think there is a mistaken conception that form is a problem for Molière , or some such " stylized " plays , but that in the realistic theatre we are recreating life and are less concerned with form . I contend that realism itself is a ...
I think there is a mistaken conception that form is a problem for Molière , or some such " stylized " plays , but that in the realistic theatre we are recreating life and are less concerned with form . I contend that realism itself is a ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole