Method--or madness?: With an introd. by Harold Clurman |
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Page 139
... keep your own work processes clear. Also, as I spoke earlier about teaching,
this is a good plan to keep in mind for workshop activities too, whether one is
doing a scene from a play 139 eighth lecture: Rehearsal Procedure—and
Summa- tion.
... keep your own work processes clear. Also, as I spoke earlier about teaching,
this is a good plan to keep in mind for workshop activities too, whether one is
doing a scene from a play 139 eighth lecture: Rehearsal Procedure—and
Summa- tion.
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |