Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 63
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
Page 98
That is a given circumstance when you come on , that is true . But that is only one application of the term . I would hope that he meant : given all the circumstances of the particular play — which might be , for example , that the ...
That is a given circumstance when you come on , that is true . But that is only one application of the term . I would hope that he meant : given all the circumstances of the particular play — which might be , for example , that the ...
Page 163
I said that if it is true only to you — if you “ feel right in it ” but every other element of art involved in it is wrong — then it is not true , artistically speaking . I felt it was wrong to condone the “ indicated , ” unfortunately ...
I said that if it is true only to you — if you “ feel right in it ” but every other element of art involved in it is wrong — then it is not true , artistically speaking . I felt it was wrong to condone the “ indicated , ” unfortunately ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |