Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 87
Naturally , I mean what is truth in acting . If you remember , when I promised in
the first talk to get to this point , I said I felt there were more crimes committed ,
artistically speaking , in the name of truth than in the name of any other virtue .
Naturally , I mean what is truth in acting . If you remember , when I promised in
the first talk to get to this point , I said I felt there were more crimes committed ,
artistically speaking , in the name of truth than in the name of any other virtue .
Page 88
of what truth ? Is it to be the truth that represents the comfort of the particular actor
involved ; that is , the truth nearest to his own particular psychology ? Is that all
that is meant by it ? If so , isn ' t that truth just a partial truth ? And how true is a ...
of what truth ? Is it to be the truth that represents the comfort of the particular actor
involved ; that is , the truth nearest to his own particular psychology ? Is that all
that is meant by it ? If so , isn ' t that truth just a partial truth ? And how true is a ...
Page 163
I then came to " truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out “ in favor of ” truth , I also ...
I then came to " truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out “ in favor of ” truth , I also ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole