Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 87
... truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more crimes ... truth 87 FIFTH LECTURE: “Truth” in Acting.
... truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more crimes ... truth 87 FIFTH LECTURE: “Truth” in Acting.
Page 88
... truth that represents the com- fort of the particular actor involved ; that is , the truth near- est to his own particular psychology ? Is that all that is meant by it ? If so , isn't that truth just a partial truth ? And how true is a ...
... truth that represents the com- fort of the particular actor involved ; that is , the truth near- est to his own particular psychology ? Is that all that is meant by it ? If so , isn't that truth just a partial truth ? And how true is a ...
Page 163
... truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that life . And , while I came out " in favor of " truth , I ...
... truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that life . And , while I came out " in favor of " truth , I ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words