Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 38
The way I wailed , anyone not understanding English might think I was describing
an accident . ... The next item , Twenty - two , is a little subtle to go into here , but I
think you actors will understand what is meant ( by “ The fluid of the exchange ...
The way I wailed , anyone not understanding English might think I was describing
an accident . ... The next item , Twenty - two , is a little subtle to go into here , but I
think you actors will understand what is meant ( by “ The fluid of the exchange ...
Page 97
clock back ; we have all this new scientific material to deal with and we have to
incorporate it somehow into our understanding and our work . Now , to pursue
this a little further , M . Louis Jouvet said , in an article , that on the stage the actor
...
clock back ; we have all this new scientific material to deal with and we have to
incorporate it somehow into our understanding and our work . Now , to pursue
this a little further , M . Louis Jouvet said , in an article , that on the stage the actor
...
Page 135
But he also had to have an understanding of movement . He had to bend ... You
cannot even tackle a problem such as this unless everything is prepared for it
and unless the actor is able to understand and execute it all . That is the actor ' s ...
But he also had to have an understanding of movement . He had to bend ... You
cannot even tackle a problem such as this unless everything is prepared for it
and unless the actor is able to understand and execute it all . That is the actor ' s ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole