Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 11
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
Page 11
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice - and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice - and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
Page 43
Thirty — “ Placement of voice . " You see Stanislavski cared } about these things .
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good ...
Thirty — “ Placement of voice . " You see Stanislavski cared } about these things .
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |